eleven productions signed on for this fall

Software makes documents. Producing is the money.

Abby is an AI producer’s agent. She reads your script like a studio exec, breaks it down, builds the schedule and budget, sends call sheets, and chases every confirmation herself. Then she goes looking for the money. Talk to her like another producer. She executes.

ROLL
A-001
SCENE
24
TAKE
1
PROD. ABBY.FILM
DIRECTOR YOU
DATE DAY 1 OF 1
INT DAY SYNC

FADE IN:

One thing changes and the whole production moves.

A permit gets pulled, a day runs long, and a producer spends the night redoing the budget and schedule by hand. Every producer lives like this. No tool has done that part.

01 SCRIPT you
02 BREAKDOWN Abby
03 STRIPBOARD Abby
04 SCHEDULE Abby
05 BUDGET Abby
06 CALL SHEET Abby
INT. PRODUCTION OFFICE · DAY

Abby runs the production office.

The coordination layer is live today. Availability checks, crew holds, call sheets out by wrap, confirmations chased overnight. The work that eats a producer’s day, done while you make the movie.

CALL SHEET · DAY 4 OF 12 sent by Abby, 8:42 PM
Crew call 7:00 AM
Camera package confirmed done
Location hold, day 5 Abby is chasing
WX: 74° CLEAR SUNRISE 5:49 AM · SUNSET 8:03 PM

DEVELOP

Coverage

She reads your script like a studio exec: scores, a verdict, and the Virality Index with real sources.

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DEVELOP

Script breakdown

Every scene tagged, from cast and props to stunts and locations. The skeleton of the whole shoot.

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PLAN

Schedule

A stripboard drafted from the breakdown. Drag it, or hand Abby your constraints.

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PLAN

Budget & cashflow

Drafted from your script, optimized around your priorities, tracked against actuals.

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SHOOT

Call sheets

Built from the day's scenes, with an aerial map, parking photos, and the whole unit. Sent by text and email, confirmed with one tap.

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SHOOT

The chase

Abby follows up with everyone who hasn't confirmed, until they do. You wake up to sixteen of sixteen.

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MONEY

Financing

Sourced research into who backs projects like yours, with outreach drafted and sent by Abby once you give the OK.

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MONEY

Incentives

Where should you shoot? Tax credits, rebates, and subsidies ranked by what they'd pay this budget.

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MONEY

Insurance & payroll

Planned today from the breakdown's real risks and rates. Placed and run through Abby next.

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POST

Post-production

A phased finishing plan, vetted post partners, and your call on whether AI touches the work at all.

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TEAM

Multiplayer

Invite editors and viewers, see who's in the production live, edits sync in under a second.

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ABBY

The agent herself

Talk to her like another producer: she remembers everything, acts with your permission, and reports back.

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EXT. EVERYONE’S PHONE · THE NIGHT BEFORE

No app. No login. Just the call.

Everyone on the day gets a private link by text and email. It opens straight to what they need, and one tap tells you they’re in. Your board updates the moment they do.

  • 01Their call, impossible to miss. Cast and crew each see their own time, staggered the way you set it.
  • 02How to get there. An aerial map of the location, where to park, photos you add, and the nearest hospital.
  • 03The whole day. The schedule and everyone working it, department by department.
The location with an aerial map and the day's schedule
A crew member's call time and location, with a one-tap Confirm button
The full day: cast with their characters and call times, crew by department

THE MONEY

The moat is the money.

Every production on Abby generates the data nobody in this industry has: what things actually cost versus what was budgeted. Financing and incentives are live today. Payroll, insurance, and vendor payments are what she’s being built toward. The producer’s money, end to end.

LIVE

Financing

Sourced research into who backs projects like yours, with outreach drafted and sent by Abby.

LIVE

Incentives

Where should you shoot? Jurisdictions ranked by what they’d pay this budget.

NEXT

Payroll

Timecards to paychecks, run from the same rates that built the budget.

NEXT

Vendor payments

Quotes, purchase orders, and payment on delivery, logged as it happens.

WHO IT’S FOR

Every kind of shoot.

FeaturesTV episodesPilotsCommercialsMusic videosDocumentariesWeb seriesShorts

Commercials & branded content

Fast turnarounds with client-ready call sheets and budgets, no overnight fire drills.

TV & series

Pilots, episodes, and web series, each one broken down, scheduled, and called, with the whole team in one live office.

Independent features & docs

Features, documentaries, and music videos: a full production office that fits in a laptop bag.

Film schools & first productions

Your first shoot is your producer education, and Abby is the mentor in the room.

TALK TO US

Tell us about your shoot.

Producing something, thinking about Abby for your team, investing, or writing about film? Send a note. A producer reads every one and writes back.

FADE OUT.

Stop chasing.
Start producing.

Start a production